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At least the title of Limitless offers some truth in advertising.Movie Magic Scheduling 6 is a powerful scheduler software that provides a set of professional tools with a variety of scenarios to create and view schedules. Some of the action at movie's end is resolved with little plausibility, but it's too much fun to attack. Limitless has such a breathtaking pace that you aren't going to find the time needed to nitpick. Still, I would have appreciated one scene showing how his limitless knowledge afforded him relationship-handling tact. Remember, I'm seeing this as a specialty film about inner exploration and as such I'm allowing for some leeway in how director Neil Burger is able to keep the pace going while focusing almost exclusively on Eddie. I can see room to complain when it comes to the way Limitless approaches relationships. Limitless asks the viewer to exam what's holding each of us back from being the perfect versions of ourselves, and by stories end this viewer certainly felt inspired. The primary goal of these metaphysical pictures is to delve into what makes us tick. Examples of these films include Fight Club and The Beach and more examples can be found in Asian cinema (where I also believe Limitless drew inspiration for art direction). Limitless is indicative of a minor subgenre that sprang up around the dawn of the current millennium I call this the genre of self-discovery. Thanks to the mind-altering plot, Limitless is one of the few movies where extravagant transitions make sense. This is one of the more attractive films I've seen using the Red digital cameras and I have to give the colorist some praise for the warm palette used to show the influence of NZT-48. Nearly every scene has at least some artistic appeal. Enough cannot be said for how amazingly brisk and refreshing the production comes across.

However with a little change, Anna Friel's one scene could have been expanded into something with more drama and likely give Limitless the emotional impact needed for some to take it seriously. Abbie Cornish and Robert De Niro don't have nearly as much range to showcase in this screenplay. With no key player for Eddie to confide in or take along for the journey, the supporting performances are little more than plot points. He's able to go from panicked addict to conversationalist genius and back without losing the support of the audience. The intricate dynamics that weave this trail of lies is the best since Match Point (2005). Eddie's problem solving solutions end up fanning the flames of questions around him, and before long it seems that everyone in the city is after him. In minutes he is transformed from a guy no one could believe has a book deal to a man no one can do without. In actuality Eddie Morra (Bradley Cooper) is a struggling writer/slob who acquires a drug called NZT-48, a pill that allows him to recall everything from the briefest of encounters.

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It's sold as Bradley Cooper gets smart drug fix from Robert De Niro then must defeat him through a series of cat and mouse games. Limitless is one of the few recent films to deny the misconceptions from its efficient marketing. Well motion picture directors would want you to not judge their films by the trailers or posters. You're not supposed to judge a book by its cover, or at least that's what authors tell us. If he can't, he will become just another victim who thought he'd found invincibility in a bottle. With a dwindling stash and hit men who will eliminate him to get the NZT, Eddie must stay wired long enough to elude capture and fulfill his destiny. As the former nobody rises to the top of the financial world, he draws the attention of business mogul Carl Van Loon (De Niro), who sees this enhanced version of Eddie as the tool to make billions, but brutal side effects jeopardize his meteoric ascent. Now on an NZT-fueled odyssey, everything Eddie's read, heard or seen is instantly organized and available to him. That all vanishes the day an old friend introduces Eddie to NZT, a designer pharmaceutical that makes him laser-focused and more confident than any man alive. Out-of-work writer Eddie Morra's (Cooper) rejection by girlfriend Lindy (Abbie Cornish) confirms his belief that he has zero future. As one man evolves into the perfect version of himself, forces more corrupt than he can imagine mark him for assassination. An action-thriller about a writer who takes an experimental drug that allows him to use 100% of his mind.

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